WILSON
HENRY IRVINE (1869- 1936)
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Wilson Henry Irvine was a master American
Impressionist landscape painter. Most closely
associated with and best remembered today with the
Old Lyme Connecticut art colony, Irvine is best
known for his mastery of light and texture.
Born near Byron, Illinois, he was a descendant of
early Illinois settlers and farmers. Wilson
channeled his family's agrarian interests into a
painter's eye for landscape. From the beginning,
Irvine's interest in painterly subjects was equaled
by a parallel focus on artistic technology. While
still in his 20s, Irvine was a pioneer of the
airbrush as artistic medium — a medium which had
just been developed.
Having mastered the airbrush, in 1888 Irvine moved
to Chicago to make his reputation. Irvine's "day
job" during this period was as an
illustrator/graphic designer, often employing the
still-novel airbrush. But simultaneously, Irvine
built a career as a serious painter. He worked his
way up Chicago art society — he led the Palette and
Chisel Club and Cliff Dwellers Club, along with
sculptor Loredo Taft.
During these years, Irvine gravitated to the night
school of the famed Art Institute of Chicago, where
he studied for over seven years. Indeed, the Art
Institute was to remain a loyal patron. By the turn
of the century, the Institute often showed Irvine's
work, and gave him a prestigious solo show over the
1916-1917 Christmas season. To this day, the Art
Institute maintains a number of Wilson Irvine
paintings in its permanent collection.
While developing his career in Chicago, Irvine
frequently headed east, painting in Massachusetts,
Connecticut and elsewhere in New England - as early
as 1906, he exhibited New England scenes at the Art
Institute. He also took working vacations elsewhere
in the Eastern U.S., including to Virginia and New
Orleans.
But it was not until he was 45 (in 1914) that Irvine
packed up and moved his family to Old Lyme,
Connecticut, becoming part of the famed Florence
Griswold circle, now recognized as the "American
Barbizon" hub of American Impressionism. It is as an
Old Lyme painter that Irvine is best remembered
today. (But even after relocating East, Irvine
maintained his contacts with Chicago, where the
market for his work remained strong.)
Following through on his early experiments with the
airbrush, in his later years Irvine continued to try
out new artistic techniques. His later work includes
"aqua prints" and "prismatic painting."
Irvine's career was highlighted by three extended
sojourns to Europe, where he produced some
noteworthy examples of American Impressionist
European landscapes. Indeed, although Irvine today
is best known for his Old Lyme output and is
secondarily recognized for his early Illinois
landscapes, his European paintings show a special
energy, bringing a uniquely American perspective to
the vibrant subjects that captivated the French
Impressionist masters. By the end of his career,
Irvine was regularly landing solo exhibitions,
including at:
• Chicago's Carson Pirie Scott (1922)
• Connecticut's Wadsworth Athenium (1925)
• New York's Grand Central Art Galleries (1930)
Wilson Irvine died on August 21, 1936 leaving behind
masterful oeuvre. In recent years, Irvine has been
rediscovered and acknowledged as a key figure in
early-20th-century American Impressionism.
Memberships:
Associate National Academy of Design, New York, NY
(1926)
Lyme Art Association, Lyme, CT
Chicago Society of Artists, Chicago, IL
Salmagundi Club, New York, NY
National Arts Club, New York, NY
Awards:
Art Institute of Chicago (prizes awarded in 1912,
1915, 1916, 1917)
Panama-Pacific Exposition, 1915 (silver medal)
Chicago Society of Artists, 1916 (medal)
Connecticut Academy of Fine Arts, 1929 (prize)
Lyme Art Association, 1934 (prize)
Source: Wikipedia