Mrs. Alma de Bretteville Spreckels (family member of the famous sugar fortune)...


San Francisco chronicle/ February 21, 1939...
. Widow of Adolph B. Spreckels who died in June/ 1924
. Married Elmer M. Awl, superintendent of a Montecito estate on February 20, 1939. Awl was born in Pasadena, and in his early years was a forest ranger. He was married 28 years ago to Ina Pen-Warden, and went to Montecito to manage the properties of J. Ogden Armour, continuing in that capacity when Armour's daughter, Lolita, came into possession of the estate, known as El Mirador. When she married John J. Mitchell, Awl became manager of both properties. He was divorced by his first wife in 1937.

   

    Among many philanthropies, the new Mrs. Awl gave San Francisco its Palace of the Legion of Honor, as well as many of its highly valued art treasures. She is the owner of the entrancing Sobre Vista near Napa in the Valley of the Moon, and her latest acquisition is the Samarkand at Santa Barbara.

 

Mission Trails Building on Treasure Island...


San Francisco Chronicle/March 29,1939...


     "The romance and beauty of early California has been reconstructed on Treasure Island in the Mission Trails building, one of the most impressive structures at the Exposition.


     Seven counties, San Mateo, Santa Clara, San Benito, Monterey, Santa Cruz, San Luis Obispo and Santa Barbara, through which the famous old El Camino Real runs, are represented by the building.


     The structure is a composite of old California missions. Distinctive features of each of the missions are contained in the building: The star of Carmel window, the hidden garden of San Luis Rey, the columned corridor of San Juan Capistrano.


     From the belfry tower an electrical transcription of mission bells that may be heard over the entire island peals forth every fifteen minutes.
 

     The interior has been done to represent a street scene in a Spanish California town. Two-storied adobe houses with tile roofs line both sides of the auditorium. A large Spanish tile fountain plays continuously in the center of the room.


     An arched ceiling is colored and lighted in such a manner as to give the illusion of no ceiling at all; a view of the sky directly overhead.


     At one end of the auditorium are three large arches, the center one a setting for a moving diorama in oils of scenic spots in the seven counties. The paintings are the work of Julian Dove and Fritz Kracncke. Moving slowing and continuously, the canvas measures 174 feet long by 18 feet high.


     In a wing on the left of the building is a large room for county displays, each of the seven counties occupying the room in turn. On the wall is a large Spanish tile mural. Throughout the grounds are many restful chairs and divans.


     Hospitality is the keynote of the Mission Trails building."



San Francisco Chronicle/June 10, 1939...


     "The increasing interest in Californiana, which is being accelerated by the Fair, has prompted the publication of "Old Missions of California," a pamphlet of reproductions of the old California Mission paintings of Will Sparks, one of the painter laureates, so to speak, of the State. Accompanying each picture is a historical resume of the Mission represented and Albert G. Haskell has written an introduction in appreciation of Will Sparks. The originals of the paintings are at present in the possession of Mrs. Adolph B. Spreckels, who plans to give them to the Palace of the Legion of Honor. The book was brought out by the Old Missions publishing Company."



San Francisco Chronicle/June 11, 1939...


The Philosophy of a Wealthy Woman


     "There's an old aphorism, "Comparisons are odious." But sometimes they're not. Sometimes they are more than that -


      And so we introduce comparisons of 1922 and 1939 with one woman, Alma de Bretteville Spreckels Awl, as central figure in the changing picture, and we leave you to take your choice. We've taken ours. And when you have read this piece, guess which!


     All this is prompted by the grandest cocktail party the working press has enjoyed in many a day.


     But when we sat ourselves down in a love seat the other day beside the 'doyenne' of one of the most gorgeous mansions in California we chatted away in intimate woman-to-woman fashion of husbands, and children, and divorces, and investments, and the best brands of champagne, and why young folks don't get along, and how to make hotels pay, and what makes home a home. We found in Alma Awl a calm, simple, naive human being, who was a far cry from the statuesquely beautiful, proud and timid woman of nearly two decades ago, who still was using her fabulous wealth to off-set the Cinderella beginnings of her career.


     We'll never forget her as she was the first time we ever met her in her magnificent treasure trove of a house. She stood beside her own portrait, tall, soignee, her raven black hair in close gleaming waves upon her head, a gown of black that fitted her svelte figure like a glove. A story book character.

     She was the sugar king's wife, and she played her part with the dignity and reserve of a princess royal. A French ancestry, a taste in high-priced art were a part of the regal cloak in which she was draped.

 


The Present Picture


     We were impressed but we were not warmed in that long ago day of first meeting.


     But jump the years and come up to now. The sugar king is dead, the children are grown, the daughters married, the son thrice married, and Alma de Bretteville Spreckels Awl, with a new spouse and a new attitude toward life, still commands the vast sugar millions and personally sees to every trifling investment.


     And as we sank beside her on the down-cushioned love seat we bridged those years with the fleetness of thought and found a woman so changed we hardly knew her.


     So frank, so comfortable, so serene! The hair that once was sleek and shining was in a fluff of short curls, unset, about her head. Plump, without makeup, without nail varnish, garbed in a simple black gown. That's the present picture.


     Like others who by great wealth or great attainment are released from need of pretense, she was utterly herself, chattering along about her children, her hotels, her public golf course. Proud of her efforts as a businesswoman.
 


Her Cuban Husband


     Why live at the Samarkand in Santa Barbara?...


     "Well, I've $350,000. invested there. I have to look after it, don't I? And I've the Coronado and the San Diego, too. Hotel business. Ugh! Make money? If I did, the Government would take it away from me."


      Her eyes followed the Cuban husband, Elmer Awl, a swart, stocky, slightly incongruous figure, hosting it happily among her guests. But she smiled as she watched him, and said softly: "He's a good husband." His clothes of dark green with white stripes smugly fitted his sinuous body. His shirt was of deep maroon. His movements had a smooth, tigerlike power.


     He called her "Honey," and she called him "Dear," in just the way that made you feel they meant it - that there was a lasting, deep affection there.
 

     And then we were talking about her children. She's proud of them. Likes her sons-in-law, especially John Rosecrans, handsome and upstanding, who was helping with the party.


     "They're good boys," she said. "And my son is a good boy, too. He's had a hard time."


     She was speaking of young Adolph Spreckels Jr. and his series of marriages. Analyzing his marital mishaps she said tolerantly that young folks have a difficult time these days.

     "Homes that are broken by divorce or death have a way of unsettling the emotional life of children," she commented with a bit of psychological acumen. "Children need both a father and a mother. My boy's father died when he was only 8 years old. I've tried to be everything to him, but he has missed his father very much."

 

     As for Geraldine, the pretty blonde cousin young Adolph married, Mrs. Awl had no word of criticism or reproach. "She's a lovely girl," she said. "Life for her was full of change and insecurity, too."

 

 

She Creates Jobs

     Mrs. Awl fancies herself as a business woman, and with good reason. There's no turning over of her interests to the management of paid employees. her own eyes scrutinize every investment and enterprise. No European art purchases for her these days. She's making her money work for thousands of people.

 

     But as we listened to the story of the public golf course in Sonoma County our eyes could not detach themselves from the single strand of perals around Mrs. Awl's neck. They were so beautiful - lustrous, perfectly graduated. On her finger above a diamond wedding circlet was an exquisitely wrought ring with tiny jewels in many colors.

 

     Conscience smitten at having taken up so much of Mrs. Awl's attention, we slipped at last out of the favored seat to make way for someone else. We ate our fill of sandwiches and caviar and sipped the sparkling golden wine with many a good wish for Mrs. Awl and all of her ventures. And our mind wandered back to 1922 when first we entered the Spreckels mansion as a guest. It was an impressive party. But we like everything about 1939, including our hostess, best."
 


San Francisco Chronicle/ August 13,1939


Paintings
Exhibit Will Honor Artist


     Wednesday marks the opening of a memorial showing of paintings by an artist who specialized in presenting the romantic aspects of California's historic spots. The artist was Will sparks. The California Palace of the Legion of Honor is the gallery to show them through September 17.


     The show will be the most complete collection of Sparks' work yet assembled, representing loans from many private collections as well as the famed group of twenty-five paintings of California missions.


     For more than a quarter of a century Sparks made his home in San Francisco, noted as an active force in the creative group centering in the Bohemian Club. His style, showing a strong influence of the Barbizon school, developed into a distinctive exposition of California romanticism.


     His record of the California Missions, said to be the only complete collection ever painted, will be loaned by the new museum at the Rancheros Visitadores of Santa Barbara, to which they were recently given as a gift of Mrs. Alma de Bretteville Spreckels Awl.

     The Mission collection of the Legion of Honor exhibit is being shown through the courtesy of  Mr. John J. Mitchell, of Chicago, president of the Rancheros, and Mr. Elmer Awl, founder of that organization. Members of the Rancheros, from all parts of California, as well as members of the Bohemian Club, are among those invited to a special preview of the Sparks Mission collection next Tuesday afternoon,

 

San Francisco Chronicle/ August 17, 1939


Champagne and Sandwiches For Art's Sake:

 

Mrs. Errol MacBoyle (seated) exchanges bright chatter with Mrs. John Rosekrans at the swellelegant (excuse, please, we mean inspired) - party given Tuesday afternoon at the California Palace of the Legion of Honor to preview the Will Sparks exhibit. Mrs. Rosekrans is a daughter of Mrs. Elmer Awl (Mrs. A. B. Spreckels), who was hostess for the afternoon and made it a huge success.

 

Click here for details as to what is included with the collection

 

Click here to view the collection in it's entirety

 

 
 
 

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