Pedro J. de Lemos (1882-1954)

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Pedro J. de Lemos - "An Old Adobe at Monterey" - Pastel - 6" x 9"
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Pedro J. de Lemos
"An Old Adobe at Monterey"

Pedro J. de Lemos - "Campanille Tower, Berkeley" - Pastel - 12" x 9 1/2"
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Pedro J. de Lemos
"Campanille Tower, Berkeley"

Pedro J. de Lemos - "Driftwood" - Color woodblock - 7" x 8"
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Pedro J. de Lemos
"Driftwood"

Pedro J. de Lemos - "Eucalyptus and Sparrow" - Color woodblock - 8 3/4" x 5"
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Pedro J. de Lemos
"Eucalyptus and Sparrow"

Pedro J. de Lemos - "Eucalyptus Trees" - Color woodblock - 10 1/4" x 5 1/4"
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Pedro J. de Lemos
"Eucalyptus Trees"

Pedro J. de Lemos - "Evening Waters - Venice" - Color woodblock - 9 1/4" x 6 1/2"
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Pedro J. de Lemos
"Evening Waters - Venice"

Pedro J. de Lemos - "Lake Lagunitas" - Pastel - 15 1/2" x 11"
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Pedro J. de Lemos
"Lake Lagunitas"

Pedro J. de Lemos - "Land and Sea" - Pastel - 8.5" x 10.25" - Titled lower left <br>Signed lower right <br> <br>Reproduced in School Arts Magazine, 48.10, June, 1949, pg. 342d. <br> <br>Exhibited: <br>Lasting Impressions - Pedro de Lemos/MMA from April 30, 2015 to September 28, 2015. <br> <br>Illustrated in book: <br>Pedro de Lemos/Lasting Impressions: Works on Paper, 1910-1945 <br>Plate 9a, page 27.
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Pedro J. de Lemos
"Land and Sea"

Pedro J. de Lemos - "Moonlight Shadows" - Color stone lithograph - 9 1/2"x8"
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Pedro J. de Lemos
"Moonlight Shadows"

Here Lemos creates a brilliant tableau of Tonalist subtleties - created without the use of incised lines - the result is similar in appearance to a wash drawing. The foreground depicts the landscape with rocks and trees; then the composition takes you acr
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Pedro J. de Lemos
"Mount Tamalpais"

Pedro J. de Lemos - "Old Pines At Monterey" - Color woodblock - 5 3/8" x 11 5/8" - Monogramed in block lower left <br>Titled in pencil lower left <br>Signed in pencil lower right <br> <br>Exhibited: <br>Carmel Art Association - Ninety Years /March 2 - April 4, 2017 <br>'A Commemorative Catalog and Exhiition Honoring late Artist Members and Their Work'. Illustrated front and back cover; and on page 50.
SOLD
Pedro J. de Lemos
"Old Pines At Monterey"

Pedro J. de Lemos - "Old Pines At Monterey" - Color woodblock - 5 3/8" x 11 5/8"
SOLD
Pedro J. de Lemos
"Old Pines At Monterey"

Pedro J. de Lemos - "Seaside Sentinels" - Color block print - 12.25" x 8.75"
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Pedro J. de Lemos
"Seaside Sentinels"

Pedro J. de Lemos - "Seaside Sentinels" - Color woodblock - 12 1/4" x 8 3/4"
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Pedro J. de Lemos
"Seaside Sentinels"

Pedro J. de Lemos - "Sleepy Heads" - Color woodblock - 8" x 11"
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Pedro J. de Lemos
"Sleepy Heads"

Pedro J. de Lemos - "Sleepy Heads" - Color woodblock - 8" x 11"
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Pedro J. de Lemos
"Sleepy Heads"

The extraordinary composition and brash colors of circa 1915 "Sleepy Heads" anticipate the psychedelic world of 1960s Pop Art. Dominating the composition are a group of four sleepy blue birds resting comfortably on a tree branch - the backdrop of an extra
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Pedro J. de Lemos
"Sleepy Heads"

Pedro J. de Lemos - "Storm Trees" - Wood engraving - 8 3/4" x 7 1/2" - Plate: Signed with monogram lower right <br>Titled in pencil lower left <br>Signed in pencil lower right
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Pedro J. de Lemos
"Storm Trees"

For a wood engraving the artist sees his composition as a design with black lines on a white background or white lines on a black background. In this wood engraving two tall trees silouetted against the violent sea - the contours range from the intricate
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Pedro J. de Lemos
"Storm Trees"

Pedro J. de Lemos - "The Golden Hour" - Color block print - 10.25" x 5.25" - Titled in pencil lower left <br>Signed in pencil lower right <br> <br>Exhibited: <br>Carmel Art Association/'95 Years' - A Commemorative Exhibition Catalog of Selected Works Honoring Late CAA Artist Members: 1927/2022 <br> <br>Illustrated page 46, plate 35-B.
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Pedro J. de Lemos
"The Golden Hour"

Pedro J. de Lemos - "The Hillside Harvest" - Color block print - 7.25" x 6.5" - Titled lower left <br>Signed lower right
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Pedro J. de Lemos
"The Hillside Harvest"

Pedro J. de Lemos - "The Old Adobes" - Wood Engraving - 7 1/2" x 9 1/2"
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Pedro J. de Lemos
"The Old Adobes"

Pedro J. de Lemos - "The Path to the Sea" - Color block print - 10" x 7 1/2" - Titled in pencil lower left <br>Signed in pencil lower right <br> <br>Exhibited: <br>Carmel Art Association/'95 Years' - A Commemorative Exhibition Catalog of Selected Works Honoring Late CAA Artist Members: 1927/2022 <br>Illustrated page 10, plate 35-B.
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Pedro J. de Lemos
"The Path to the Sea"

The narled cypress on either side of the composition stand tall while forming an archway to the mustard clouds as they hover infront of the mountain and reflect iback to the quiet sea of light blue, squirls of mustard, and a soft horizontal band of light
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Pedro J. de Lemos
"The Sunset Mountain"

An aquatint does not use incised lines the results of which are similar in appearance to a wash drawing. Tiny figures in the foreground - the tall trees fill most of the composition leaving room for the hills on the right; and a view through the clouds to
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Pedro J. de Lemos
"The Tall Trees"

Pedro J. de Lemos - "Truckee" - Pastel - 9.5" x 12" - Signed, titled and dated lower left <br> <br>Exhibited: 'Lasting Impressions - Pedro de Lemos: Workson Paper, 1910-1945'/MMA from April 30, 2015 to September 28, 2015. <br> <br>Exhibited: 'Lasting Impressions of Pedro de Lemos: Works on Paper, 1910-1945'/Thomas Welton Stanford Art Gallery, Stanford University, October-December, 2017. <br> <br>Illustrated in book: <br>Pedro de Lemos/Lasting Impressions: Works on Paper, 1910-1945 <br>Plate 9b, page 28; by Robert W. Edwards.
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Pedro J. de Lemos
"Truckee"
Dec. 1924

Pedro J. de Lemos - "Working the Fields" - Mezzotint and aquatint - 11" x 8.50" - Signed lower right <br>From the estate of Pedro J. Lemos
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Pedro J. de Lemos
"Working the Fields"

Pedro J. de Lemos - Untitled/"Sunset from Berkeley Hills" - Color woodblock - 9" x 11 1/2"
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Pedro J. de Lemos
Untitled/"Sunset from Berkeley Hills"