New Acquisitions

Armin C. Hansen, N.A. - "Sardine Barge" - Etching - 12 7/8" x 14 5/8" - Plate: Signed & dated, lower left: Armin Hansen '22. <br>Titled in pencil lower left; signed in pencil lower right. <br> <br>In: 'The Graphic Art of Armin C. Hansen-A Catalogue Raisonne by Anthony R. White/1986; plate #43, pages 54, 55. <br> <br>THIS IS HANSEN'S SIGNATURE ETCHING - AND ICONIC COMPOSITION. <br>HIS GOLD MEDAL WINNER IN 1923 AT THE LA INTERNATIONAL EXHIBITION BY THE LOS ANGELES CHAMBER OF COMMERCE FOR BEST PRINT IN EXHIBIT.
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Armin C. Hansen, N.A.
"Sardine Barge"
1922

Armin C. Hansen, N.A. - "The Mate" - Drypoint - 4" x 3" - Plate: Initialed and dated, lower left: A H '30 <br>Titled in pencil lower left <br>Signed in pencil lower right <br> <br>Gallery labels on reverse: <br>Maxwell Galleries, SF; Laky Gallery, Carmel, California <br> <br>Illustrated: 'The Graphic Art of Armin C. Hansen, A Catalogue Raisonne' by Anthony R. White/1986. Plate 120, page 133. <br> <br>Hansen focused on the Monterey fishing industry. His depictions of the fishermen brought not only a visibility to their livelihood, but elevated them as worthy of artistic expression.
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Armin C. Hansen, N.A.
"The Mate"
1930

Thomas A. McGlynn - "Cypress" - Oil on canvasboard - 18" x 16" - Estate signed lower left <br>Titled and signed by the artist on reverse <br>From the estate of Thomas A. McGlynn <br>Estate inventory #205 on reverse
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Thomas A. McGlynn
"Cypress"

Thomas A. McGlynn - "The Cove" - Oil on canvas - 25" x 30" - Estate signature lower right <br>Directly from the estate of Thomas A. McGlynn <br> <br>Front cover of gallery catalogue… <br>Thomas A. McGlynn (1878-1966) <br>Craftsman, Designer, Teacher, Painter, "a lifetime dedicated to artistic passions…" <br> <br>Selected paintings by early California artist Thomas A. McGlynn <br>Copyright 2005 by Trotter Galleries <br> <br> <br>"The Cove" had been given to the artist’s son and was never signed by the artist, as it was a gift in the family and never meant to be sold. <br>Tom McGlynn the third signed a letter of authorization for an estate signature stamp to be applied to the front of the painting, and copied directly from another signed McGlynn painting, as most collectors prefer seeing an artist signature. This is a common practice for situations like this when authorization is given by the family. Many major artworks have authorized estate signatures, including artwork by Franz Bischoff, Edgar Payne, Alson Clark, etc. what rarely seen is a painting having a signed letter by the authorized family member, and for a specific painting like we have for "The Cove".
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Thomas A. McGlynn
"The Cove"

Thomas A. McGlynn - "Working in the Garden" - Oil on wood panel - 8" x 10" - Signed lower right
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Thomas A. McGlynn
"Working in the Garden"

Carl Sammons - "PG Municipal Golf Course Holes 5-6" - Oil on canvasboard - 12" x 16" - Signed lower right <br>Titled on reverse <br> <br>The Pacific Grove Municipal Golf Course, the Peninsula's only municipal golf course, is often called the "poor man's Pebble Beach." It is a public 18-hole golf course owned by the city of Pacific Grove, California. <br> <br>Originally designed by Chandler Egan in 1932, the first nine holes are laid out through the forested areas of Pacific Grove. The back nine was designed by Jack Neville, original designer of the Pebble Beach Golf Links in Pebble Beach, California, and overlook Point Pinos, where the Pacific Ocean and Monterey Bay meet on the northern tip of the Monterey Peninsula. The golf links is also site of the Point Pinos Lighthouse.
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Carl Sammons
"PG Municipal Golf Course Holes 5-6"

William Posey Silva - "Sunset" - Point Lobos - Oil on canvas/board - 8" x 10" - Signed and dated lower right <br>On reverse: <br>Titled, signed and dated <br>Written under the signature are the words: Sketch for large painting
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William Posey Silva
"Sunset" - Point Lobos
1929